Edited by / Sous la direction de Nicolas Dulac, Bernard Perron
Nicolas DulacBernard Perron, Introduction
André Gaudreault, Nicolas Dulac, Le Montage alterné face à l’histoire: l’exemple d’Attack on a China Mission
Philippe Gauthier, De la poursuite au sauvetage de dernière minute: le développement du montage alterné chez Pathé entre 1906 et 1908
Ben Brewster, Alternating Editing in Vitagraph Films, 1906-1909
Janelle Blankenship, To Alternate / To Attract? The Skladanowsky Experiment
Carlo Alberto Zotti Minici, Le traiettorie dello sguardo alle origini del cinema
Thierry Smolderen, Le Syntagme töpfferien
Pierre Chemartin, Bernard Perron, De la vignette à la vue et vice-versa: l’alternance avant le montage alterné
New Studies
Enrico Biasin, Writing (and Screening) the National Identity: Italian Film Stars in the 1930s
Marina Burke, Towards a Soviet Cinema
Projects & Abstracts
Colin Roust (University of Michigan / Ph.D. Thesis)
Alice Autelitano (Università degli Studi di Udine / Ph.D. Thesis Abstract)
Cristiano Poian (Università degli Studi di Udine / Ph.D. Thesis Abstract)
XV Udine International Film Studies Conference
“Cinema and Comics. Affinities, Differences, and New Forms of Interference” (Udine, March 3-6, 2008)
VI MAGIS – Gradisca Film Studies Spring School
“Cinema and Contemporary Visual Arts III. Cinema Vanishing (in) Art?” (Gradisca d’Isonzo, March 7-13, 2008)
Selected by
François Albera (Laurent Mannoni, Georges Didi-Huberman, Mouvements de l’air. Etienne-Jules Marey, photographe des fluides)
Tom Gunning (Daisuke Miyao, Sessue Hayakawa: Silent Cinema and Transnational Stardom)
Malte Hagener (Oliver Grau, ed., MediaArtHistories)
Michèle Lagny (Elena Dagrada, Le varianti trasparenti. I film con Ingrid Bergman di Roberto Rossellini)
Irmbert Schenk (Peter Zimmermann, ed., Geschichte des dokumentarischen Films in Deutschland)
Download Introduction and Abstracts and Contributors’ bio
Vol. VII, No. 9, Fall 2007
This issue on RivisteWeb